For the first time since its establishment, the 6-member collective–comprising artists, designers and illustrators–is tasked to create the key visuals of Synchronize Fest.
The more niche and original the prints are, the more beneficial, as having prints be synonymous with brands could build brand identity among consumers.
Digital comics are slowly replacing traditional comics. The ease of access makes digital comics, or webcomics, have their own target readers.
Aside from the understanding of the limitations on artistic freedom, collaboration among relevant authorities is also a key to create regulations that are no longer limiting artists. Transparency is crucial to achieve this.
The brand has become synonymous with peak luxury, yet its origins and history are less known. Thus, TFR aims to look back on what made the brand what it is today, and most especially the insiders’ guide to Hermés.
In the past, all posters looked rigid with the same template; the party’s colour and logo were the only differentiators. But now, such an approach is no longer preferred as developments in technology, culture and the characteristics of each generation demand campaign poster designs to adapt to current trends.
Bridal is one of those breeds in fashion that often feels frozen in time. However, at EMWF, the participating designers showcased a refreshing departure from the norm.
If we talk about the increasing demand for anime, of course we can't forget the people behind them. Yes, the animators.
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Recently, a teenager named Zoe Gabriel was bullied by netizens over a video that she posted on TikTok. The video shows her getting a new bag at Charles & Keith, then calling it her first “luxury” bag. Netizens do not seem to accept that Charles & Keith should be considered a “luxury brand”.
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It is about wearing sports performance clothing and footwear with flair or fashion design influence mixed with sportswear features. The casual aspect of activewear is what differentiates athleisure from sportswear; athleisure is designed to transition from gym wear to daily wear.
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Stickers are just for children to play with? Or merely meaningless decorative ornaments that we find in our surroundings, such as laptops and tumblers? For a collective called Grafis Nusantara, vintage stickers and labels work as a time machine to explore Indonesia’s visual culture.
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In recent years, these concerns have slowly been addressed by the global fashion industry as it embraces the emergence of adaptive fashion. It is an idea that refers to the modification of an existing clothing design to make dressing more comfortable for people with disabilities.
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While Indonesia has seen an influx of consumer events lately, there have not been many choices for interior design events, particularly outside Jakarta. This is a gap that JCK hopes to fill, by bringing a sense of community to the industry and making the festival welcoming to the general public alike.
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Consumers are getting more concerned about sustainability, especially after COVID-19. The reason was that the pandemic made respondents more aware that human activities could cause climate change and environmental degradation and, in turn, threaten humans. In addition to the materials, fashion sustainability can also be pursued through more environmentally friendly processes.
Jakarta Fashion Week (JFW) returned offline after two years of being held online. This year, JFW put their focus on celebrating the diversity of Indonesian talents by providing the stage not only to heavy-hitters, but also newcomers such as Tanah Lesae.
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There is no other colour in the colour wheel that carries a meaning and connotation that is more nuanced than pink. “Pink is used most often to represent femininity but at the same time, pink is associated with romance, passion, or joy and it could even be seen as childish,” Adlien Fadlia, a fashion design lecturer at Institut Kesenian Jakarta, told TFR.
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“Kalau buat Moral, akan selalu ada setiap cerita di baliknya” adalah sentimen yang terus-menerus didengungkan oleh direktur kreatif Moral, Andandika Surasetja, dalam wawancara dengan TFR
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“There is always a story behind Moral” is a sentiment that was constantly echoed by Moral’s creative director, Andandika Surasetja. Storytelling is at the heart of Moral since fashion is Andandika’s preferred way of communicating
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